The American University of Paris - Art History and Fine Arts

Tatsiana Zhurauliova

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tzhurauliova

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Tatsiana

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Zhurauliova

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Yale University, New Haven, U.S.A

PhD in History of Art, May 2014
- Dissertation: “Arcadia Americana: Landscape in American Art during World War II” Awarded The Frances Blanshard Fellowship Prize for Outstanding Dissertation in the History of Art
Master of Philosophy in History of Art, December 2010

Master of Arts in History of Art, December 2009

Kenyon College, Gambier, U.S.A
- Bachelor of Arts, May 2006
- Major: Art History, Summa cum laude

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Art History and Fine Arts

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Ines Winckler

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iwinckler

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Ines

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Winckler

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https://atelierplusun.com/

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2016 - HMONP Independent Architect in France

2008-2014 Master of Architecture ENSA Paris

2012 Kungliga Tekniska Högskolan (KTH), Stockholm (Royal Institute of Technology)

2006-2009 ESAG Penninghen (Graphic Design/Visual Communication)

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Art History and Fine Arts

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Kathleen Wilson-Chevalier

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Kathleen

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Wilson-Chevalier

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About Kathleen Wilson-Chevalier

Professor Emerita of Art History

BA, University of California at Berkeley
Licence, Maîtrise spécialisée, Doctorat de Troisième Cycle, Université de Paris IV-Sorbonne

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Art History and Fine Arts

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Emeritus Professor

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Françoise Weinmann

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Françoise

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Weinmann

Associate Professor Emerita of Art History

Licence, Institut d'Art et d'Archéologie, Université de Paris-Sorbonne
MA, Institute of Fine Arts, New York University

Department(s):

Art History and Fine Arts

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Emeritus Professor

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†

George Wanklyn

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gwanklyn

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George

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Wanklyn

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About George A. Wanklyn

Associate Professor Emeritus of Art History

Department(s):

Art History and Fine Arts

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Emeritus Professor

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Herve Vanel

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hvanel

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Herve

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Vanel

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C-504

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Associate Professor

Professor Vanel specializes in mid-twentieth century art and has published on a diverse range of artists and topics, including the work of Andy Warhol, Francis Bacon, Roy Lichtenstein and the experimental practice of John Cage. He is the author of Le Parti Commoniste: Roy Lichtenstein et l’art pop (ed. Carré, 2013) and Triple Entendre: Furniture Music, Muzak, Muzak-Plus (University of Illinois Press, 2013) and edited the exhibition catalog Warhol Unlimited, Musée d'Art Moderne de la Ville de Paris, 2015-2016, which he co-curated. Vanel is particularly interested in interdisciplinary methodologies, and expects to motivate students in developing a form of rigorous creative and critical understanding of contemporary art and its history.

2018, June 5th: “‘A beautiful, incomplete idea’: Around Jasper Johns’ Flags” Symposium Art, Life & Politics: American Printmaking from the 1960s to Today, Terra Foundation for American Art, Paris, June 4-5 2018.

2016, March 7th: “Francis Bacon: Pertes et Profits,” Musée d'art moderne André Malraux, le Havre [Part of the cycle of conferences: L’art en Grande-Bretagne : 1750-1970]

2016, January 20th: “Andy Warhol Curates Everything from A to B and Back Again,” Mona Bismarck American Center, Paris. Panel including curators Sebastian Gokap, MAMVP), Emma Lavigne, director of the Centre Pompidou-Metz and Florence Ostende, curator, Palais de Tokyo.

Doctorat / PhD, Universite de Paris I - Pantheon Sorbonne.

Recent Publications:

“Fauteur de trouble: Raymond Hains et la Biennale de Venise” in Raymond Hains: Venice, Galerie Max Hetzler, Paris / Berlin, 2018. [French/English]

“Cybernetic Bordello (Nicolas Schöffer’s Aesthetic Hygiene),” in France and the Visual Arts since 1945: Remapping European Postwar and Contemporary Art, EPCAF (European Postwar and Contemporary Art Forum), Bloomsbury Visual Arts, Epcaf book series, AC Books., 2018.

“L’intranaute (Notes on James Turrell),” Exhibition catalogue, James Turrell: It Becomes Your Experience, Spring 2018, Musée d'Art de Nantes. [French/English]

“This is Fear of Death,” in Francis Bacon/Bruce Nauman. Face à face, (Cécile Debray, ed.) exhibition catalogue, Musée Fabre, Montpellier, July 1st-November 5, 2017, Suresnes, Couleurs contemporaines, Bernard Chauveau editions. [French/English]

“Speaking in Tongues (Selvaging Rauschenberg)” in Robert Rauschenberg: Salvage, 19 October 2016 -14 January 2017, exhibition catalogue, Galerie Thaddaeus Ropac, Paris, p. 4-16 (French); p. 18-30 [French/English].

“Mauvais Genre” in Warhol Unlimited, exhibition Catalogue, Musée d'Art Moderne de la Ville de Paris, October 2nd 2015 - February 7th 2016. [French]

Hervé Vanel is the co-curator of the "Warhol Unlimited" exhibition at the October 2nd 2015 - February 7th 2016 at the Musée d’Art moderne de la Ville de Paris and the director of exhibition catalog.

Warhol Unlimited, ed. Paris Musées, 2015.
Triple Entendre - Furniture Music, Muzak, Muzak-Plus, The University of Illinois Press, 2014.
Le Parti Commoniste — Roy Lichtenstein et l’art pop, editions Carré, Paris, 2013. [galley proof]
“Dernière Gerbe: De Kooning’s Last Gleanings” in Final Works, exhibition catalogue, Schirn Kunsthalle Frankfurt, Spring 2013.
“Visual Muzak and the Regulation of the Senses: Notes on Nicolas Schöffer,” in Audio • Visual - On Visual Music and Related Media, Cornelia Lund, Holger Lund (eds.) Arnoldsche Verlagsanstalt, Stuttgart, p. 58-75, July 2009. [galley proof]
“La philosophie d’Andy Warhol de a à a,” in Les écrits d'artistes depuis 1940, edited by Françoise Levaillant, CNRS, INHA and Paris 1 – Panthéon Sorbonne co-édition, Institut des Mémoires de l’Edition Contemporaine, Paris, November 2004.

Department(s):

Art History and Fine Arts

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Stéphane Treilhou

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streilhou

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Stéphane

Last Name:

Treilhou

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Office:

Combes

Office Hours:

By appointment

Assistant Professor, Curator of the Fine Arts Gallery

2011 Masters (research) degree: Cultural heritage and conservation-restoration, University of Paris, 1, UFR 03, History of Art and Archeology

2010 Masters (professional) degree: Conservation-restoration of cultural property, University of Paris, 1

2005 Diploma (Masters year 1): Science and Technology in Conservation-restoration of cultural property, University of Paris, 1, Sorbonne, specialization: antique wall painting

1993 Bachelors (License) degree in art, University Jean Monnet, St. Etienne

1992 Diploma in art (DEUG), University Paul Valéry, Montpellier

1990 First year, Science, option Physics/Chemistry, University Paul Sabatier, Toulouse

1989 Baccaulaureat, Science option

Department(s):

Art History and Fine Arts

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Danai Thomaidis

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dthomaidis

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Danai

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Thomaidis

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Danai Thomadis graduated with a PHD in Art History and 2021. Her research interest include Venetian colonization and the arts of the Mediterranean; Miraculous images; Art history and criticism; Byzantine and medieval art and revivals in early modern and contemporary art practices; Italian Renaissance; global art history; cross-cultural exchanges; interconnectedness in religious art between the Mediterranean and Atlantic; Blue Humanities; materiality and performativity; cultural heritage and preservation; museology; digital humanities.

2016-2021 PhD in Art History
- Ca’ Foscari University, Venice & Fribourg University, Switzerland
- Supervisors: Michela Agazzi (Ca’ Foscari Univ.), Michele Bacci (Fribourg Univ.)
- Project: The Life of Icons in Venice (13th - 17th centuries)
- Summa cum laude
2013- 2016 Master’s Degree in Byzantine and Medieval Art History
- Statale University, Milan & Ca’ Foscari University, Venice
- Thesis: The Illuminated Manuscript Gr. II 113 of the Marciana Library. Iconographic Analysis of the Miniatures in the Venetian Sociopolitical Context
- Degree: 110/110
2009- 2013 Bachelor’s Degree in Cultural Heritage
- Statale University, Milan
- Thesis: The Archaic Pediments of Athens Ekatompedon. The Iconographic Evolution of the Bull, the Lion and the Big Mother in the Greek Archaic Society

Department(s):

Art History and Fine Arts

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Iveta Slavkova

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islavkova

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Iveta

Last Name:

Slavkova

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Office:

C-504

Office Hours:

By appointment

Associate Professor

2020-now: Member of the Editorial Board of Arts
2018-now: Member of the ISSS (International Society for the Study of Surrealism)
2017-present: Member of the association “Les Amis de Jacques Audiberti”
2016-present: Member of the Editorial Board of 20/21, Presses universitaires de Paris Ouest
2012-present: Member of the “European Network for Avant-Garde and Modernism Studies” (EAM)
2010-2018, Member of the Research Lab “Histoire de l’art et des représentations” HAR, (EA 3461, Paris-Ouest-Nanterre)
2010-2014, Member of the editorial board of the journal Dissidences
2001-2012, Member of the Research Lab “Cultural and Social History of Art”, HiCSA (EA 4100, Paris I Panthéon-Sorbonne)

Professor Slavkova has a PhD in Art History from Paris I Panthéon-Sorbonne dealing with the reaction of several avant-garde art movements to the humanism crisis around World World I. Stemming from this interdisciplinary dissertation, her monograph “Réparer l'homme. La crise de l’humanisme et l’Homme nouveau des avant-gardes autour de la Grande Guerre (1909-1929)” (2020, Dijon, Presses du Réel) explores the New Man of Futurism and the Bauhaus, their faith in the construction of a better world thanks to the Great War, their take on the evolving definitions of the self and the humanist subject in the beginning of the 20th century. Prof. Slavkova is actually working on a second book on artworld in Paris after World War II, focussing on the largely downplayed concept of abhumanism, and artists such as Jacques Audiberti, Camille Bryen and Wols. This project participates in a larger scholarly effort to reassess the European avant-garde after the Second World War, and to redefine the very notion of the avant-garde after this second catastrophe in the heart of the European civilization. She has edited volumes and published papers on topics related to art in the context of the world wars as well as on art education.

Conference organisation

November 17th-20th 2022, 4th conference of the ISSS (International Society for the Study of Surrealism),virtual, https://surrealismstudies.org/isss-surrealisms-2022-call-for-proposals-appel-a-propositions-convocatoria-de-propuestas/

November 11th-14th 2021, 3d conference of the ISSS (International Society for the Study of Surrealism), virtual, https://surrealismstudies.org/isss-surrealisms-2021-schedule-and-how-to-join/

Dec. 14-15 2010: Auditorium of the University of Paris Ouest, International conference “Les années 30: Art et Résistance”, with the Research lab HAR and the journal Dissidences (presentation of the special issue, the articles and authors, debates and round tables)

Academic papers and invited talks

February 1 2023, « Il n’y a pas d’aventure purement humaine ! » Abhumanism in the context of post-World War II Paris, invited talk at KU Leuven (MDRN lectures) http://www.mdrn.be/news/mdrn-lecture-abhumanism-post-wwii-paris-iveta-slavkova-american-u-paris ; https://www.youtube.com/watch?v=2XEtS_U7_JU

November 19 2022, “Breaking the body limits: the anti-humanist vision of the self in the abhumanist works of Jacques Audiberti and Camille Bryen”, 4th conference of the ISSS (International Society for the Study of Surrealism), online

November 12 2021, “Earth as a Desert: Surrealism and Ecology (revisited)” panel organization and round table with Anne Marie Butler, Donna Roberts, Christina Heflin, Julia Drost, Samantha Kavky, 3d conference of the ISSS (International Society for the Study of Surrealism), online

May 26 2021, “Penser le corps corps au-delà de l’humanisme, Jacques Audiberti et l’abhumanisme”, The Politics and Narratives of bodies/Politiques et récits du corps, May 26-28 2021, Universidad Nacional del Nordeste (Argentina) and Fernando Gonçalves,Universidade do Estado de Rio de Janeiro (Brazil), online https://www.youtube.com/watch?v=uxSNNPxkKW8&list=PLcXlcesjzxY_s3nIs0Oqip-tfwm_HvaI9&index=3

February 12 2021: “Earth as a Desert: The Ecology of Surrealism”, Panel chair and organizer with Anne Marie Butler (Kalamazoo College), for the CAA (College Art Association) Annual Meeting 2021, topic “Art and Climate Change”, online

November 3d 2020: Presentation of my monograph Réparer l’homme, annual meeting of the “Association des Amis de Jacques Audiberti”, online

March 15 2019: “Abhumanism after World-War II Paris: a “Periphery” within a “centre”, Art in the Periphery, Instituto de História Contemporânea da Universidade NOVA de Lisboa e Instituto de História da Arte da Universidade NOVA de Lisboa (Lisbon)

November 2 2018: “L’homme n’est peut-être pas le centre de l’univers” : Surrealism and Abhumanism, SURREALISMS: Inaugural Conference of the ISSS, Bucknell University Humanities Center

September 6 2018: “Abhumanism as realism: assuming cruelty”, Realisms, EAM (The European Network for Avant-Garde and Modernism Studies), University of Münster

http://www.eam-europe.be/realisms-avant-garde-university-m%C3%BCnster-2018

March 12 2018, “World War I and Commemoration”, invited talk, seminar Memory and Commemoration in Europe taught by Yael Hirsch, CIEE Paris

September 15 2017: “Oscar Schlemmer’s logo for the Bauhaus: the dictate of totalizing unity”, Dictators and degenerates. Modernism, Fascism and the Pursuit of Culture, University College Dublin

June 17 2016, « Entre charme et effroi. « Circus Wols », le récit de Wols des années terribles », La France en guerre : cinq « années terribles » 1792-1793 / 1814-1815 / 1870-1871 / 1914-1915 / 1939-1940, University of Clermont-Auvergne

July 18 2014: “The Aviator, the Avant-garde and the Great War. The Crossing of the Skies between ultimate spirituality and ultimate potential of destruction”, in Annual Conference of the “Space in Between” Society, London, Institute of English Studies, University of London

December 5 2013: “L’aviateur : chevalier éternel, héros moderne, Homme nouveau des avant-gardes”, 1914 : Guerre et avant-garde, Université Paris Nanterre

March 15 2013: “La marginalité comme condition de l’art : l’alcoolisme de Wols vu par Sartre”, round table and debate around the publication Les Arts drogués (Presse Universitaires de Paris Ouest), Maison Rouge/Fondation Antoine-de-Galbert, Paris in relation to the exhibition Sous influences. Artistes et psychotropes, 15 février—19 mai 2013

November 21 2012, “Histoire des arts : arts visuels, quelques clefs pour lire les images”, château de Grignan, Châteaux de la Drôme/ Ministère de l’Éducation Nationale

September 7 2012: “Rethinking Camille Bryen's Materiality within the Framework of his Own Abhumanist Theory”, in Material meanings, EAM (The European Network for Avant-Garde and Modernism Studies), University of Kent, Canterbury

April 11 2011 : “Le futurisme entre propagande et revendication libertaire”, in Art & Propagande : jeux inter-dits/Gevaarlijk spel tussen kunst en propaganda, Auschwitz Foundation/Bibliothèque royale Albertina, Brussels

June 7 2010 : “Quelle définition pour l’avant-garde?”, round table “The End of the Avant-Gardes”, invited speaker, Ecole Normale Supérieure, Paris

September 26 2009: “La bouteille de Wols”, in La Création ivre. L’alcool comme métaphore, moteur et motif artistique (16-20e siècles), Institut National d’Histoire de l’art (INHA), Paris

July 2 2009: “The New Man and Humanism: Back to the Difference between Dada and Futurism”, in Back to the Futurists: Avant-Gardes 1909-2009, Queen Mary University London, University of London, Swansea University

October 17 2008: “The Saatchi Collection between Art Loving and Self-interested Investment”, Modernity of Collections, Center of Contemporary Art, Torun

August 18 2007: “Dalí entre 1925-1929. Le désir n’est pas humaniste”, Dalí. Sur les traces d’Eros, Cerisy-la-Salle

February 3 2007, “Détruire le sujet pour construire une communauté nouvelle. Réflexion sur Dada et le politique”, La Destruction et l’avant-garde, Institut National d’Histoire de l’art (INHA), Paris

October 12 2006: “La Révolution surréaliste démythifie l’humanisme”, seminar Fabrique surréaliste, Centre de recherche sur le surréalisme, Université de Paris 3

March 6-9 2002, “Circus Wols, un projet de Wols au camp des Milles”, Les Ecrits d’artistes depuis 1940, École Normale Supérieure (Paris)/IMEC (Caen)

April 5 2001: “Wols entre la France et l’Allemagne”, conference and round table, Centre allemand d’Histoire de l’art (Paris)

IVETA SLAVKOVA, CV sept 23 .pdf

PhD, Modern and Contemporary Art History, Paris I Panthéon-Sorbonne
MA, Modern and Contemporary Art History, Paris I Panthéon-Sorbonne
BA, Art History and Archaelogy, Université de Montpellier II Paul-Valéry

Scholarly work accepted for publication

Earth as a Desert. Ecology and Surrealism, Delaware, Vernon Press, co-edited with Anne-Marie Butler (Kalamazoo College), Donna Roberts (University of Helsinki), expected Fall 24. The question of ecology is central to Global Art History and Surrealism studies in particular. The book deals with surrealist conception of nature through the lens humanism crisis, gender norms, (post)colonial issues, criticism of normative positivist scientific methodologies.
Research project HdR at the University jean Monnet Saint-Etienne « L’abhumanisme, l’avant-garde et l’art à Paris après la Seconde Guerre mondiale. » (working title), HDR project (Habilitation à diriger des recherches), supervisor Fabrice Flahutez (Professor, Université Lyon-Saint-Etienne), which I am intending to publish after completion. The project summarizes my research in the past 10 years. Key topics were presented at various conferences and all my recent articles explore aspects of this subject. In the French University system an HdR (Habilitation à diriger des recherches) is a second doctorate which qualifies the candidate to become a Professor and to direct PhDs and sit of PhD juries. I am intending to publish this work as a monograph after completion.

Conferences

Spring 2024, Cycle of conferences “Decolonizing the avant-garde”, with Sascha Bru (KU Leuven) and Isabelle Wünsche (Constructor University Bremen) The cycle will comprehend three days of invited talks given by major scholars working on the decentering and decolonization of the the history of the avant-gardes. Hopefully, it will take place at 91��Ƶ in May 24.
Fall 2024, 5th conference of the ISSS (International Society for the Study of Surrealism) in Paris with Julia Drost (Centre allemand d’Histoire de l’art), Fabrice Flahutez ((Université Jean Monnet Saint-Etienne) and Olivier Penot-Laccassaigne (Université Paris 3) https://surrealismstudies.org/isss-surrealisms-2021-schedule-and-how-to-join/ The 3d in-person conference will take place at 91��Ƶ in the Fall of 2024 (during the break). 2024 is the centennial of the Manifesto, many events are scheduled in Paris, which is the birthplace of Surrealism. We are working on collaboration with major French institution (MNAM/Centre Pompidou) and are expecting a large number of submissions.

BOOKS

Monograph

2020, Réparer l'homme. La Crise de l'humanisme et l'Homme nouveau des avant-gardes autour de la Grande Guerre (1909-1929), Presses du réel (Dijon) https://www.lespressesdureel.com/ouvrage.php?id=2218

Review 1 by Catherine Dufour, in Mélusine en ligne, 2020 https://melusine-surrealisme.fr/wp/iveta-slavkova-reparer-lhomme-la-crise-de-lhumanisme-et-lhomme-nouveau-des-avant-gardes-autour-de-la-grande-guerre-1909-1929/

Review 2 by Mariana Pinto dos Santos, « Italian Futurism and the Bauhaus through the lens of humanism », Revista de História da Arte: “Art in the Periphery — hommage to Foteini Vlachou", n°9, 2021 (https://institutodehistoriadaarte.files.wordpress.com/2021/05/rha_w_9.pdf) p. 127- 131.

Review 3 by Abigael van Aelst (KU Leuven), in European Legacy, vol. 27, n° 7-8, 2022.

(https://www.tandfonline.com/doi/full/10.1080/10848770.2022.2029175?scroll=top&needAccess=true&role=tab)

edited/translated/co-authored

2023, Les Avant-gardes européennes (1905-1935). Guide illustré, Paris, Hermann, Sascha Bru (author), Iveta Slavkova (translator)

https://www.editions-hermann.fr/livre/les-avant-gardes-europeennes-1905-1935-sascha-bru

Original English title The European Avant-Gardes (1905-1935). A Portable Guide, Edinburgh University Press, 2018

https://edinburghuniversitypress.com/book-the-european-avant-gardes-1905-1935.html

2022, Crisis, Berlin, De Gruyter. 7th volume of the series “European Avant-Garde and Modernism Studies”, co-edited David Ayers (University of Kent), Sascha Bru (KU Leuven), Li Lin (University of Antwerpen), Kate Kangashlahti (KU Leuven)

My contribution: First reader for ¼ of the articles and second reader for half of them

https://www.degruyter.com/document/doi/10.1515/9783110773637/html, digital copy at 91��Ƶ library

2013, “Histoire des arts: une méthode des exemples”, Documentation photographique/La documentations française, n° 8091, co-authored with Marianne Cojannot-Le Blanc (Université de Paris Ouest)

My contribution: half of the introduction and ¾ of the double pages and entries

2010, “Les Années 1930 : art et résistance. Éveil politique et engagement des artistes”, Dissidences, n°9, co-edited with Jean-Paul Salles (Université de la Rochelle) and Vincent Chambarlhac (Université de Dijon)

My contribution: half of the introduction and editing of all the articles

peer-reviewed articles

2022, “Camille Bryen Avant-Gardist/Abhumanist: A Reappraisal of an Artist Who Called Himself the “Best-Known of the Unknown”, Arts, Volume 11, Issue 2, 43

https://www.mdpi.com/2076-0752/11/2/43/htm

Arts is a recent open edition journal whose impact index is 0,5 (source website MDPI), an excellent score for our discipline (in comparison the highest score for the prestigious Art Bulletin was 0.49 in 2014).

2021, “The Strange Destiny of Wols, the « French Pollock ». Reflections on Abhumanism and the the Parisian avant-garde in “Periphery” after World-War II, Revista de História da Arte: “Art in the Periphery — Homage to Foteini Vlachou", n°9, May 2021, 83-97. (https://institutodehistoriadaarte.files.wordpress.com/2021/05/rha_w_9.pdf)

RHA is bound to the dynamic Art History Institute of the NOVA university in Lisbon, indexed by ERIHPLUS.

2020, “Cemetery=Civilization: Circus Wols, World War II and the collapse of humanism”, Arts: “World War, Art, and Memory: 1914 to 1945”, Volume 9, Issue 3 (https://www.mdpi.com/2076-0752/9/3/93)

Arts is a recent open edition journal whose impact index is 0,5 (source website MDPI), an excellent score for our discipline (in comparison the highest score for the prestigious Art Bulletin was 0.49 in 2014).

2017, “Histoire de l’art, histoire, culture visuelle”, Histoire@politique, n°33; special issue edited by Cécile Pichon-Bonin, Anastasia Simoniello, Jerôme Bazin: Image, éducation et communisme dans l’Europe des années 1920-1930 (http://www.histoire-politique.fr/index.php?numero=33&rub=pistes&item=39)

Histoire@politique is edited by the Centre d’Histoire de Sciences Po. Accessible through the academic platform CAIRN, it is now Open Edition.

2011, “La bouteille de Wols, la plume de Sartre et une histoire à réécrire”, Food & History, vol. 9, n°1; special issue edited by Valérie Boudier and Frédérique Desbuissons: “Inebriating Creations ; from the 16th to the 20th Century. Alcohol as Motor, Motif, and Metaphor in (Early) Modern Art”

https://www.brepolsonline.net/doi/abs/10.1484/J.FOOD.1.102295

Published by the European Institute for the History and Cultures of Food, Food & History is the leading European journal in the field of food history, with impact factor 0.176 (source SCI journal).

Conference Proceedings

2018, « Entre charme et effroi. « Circus Wols », le récit de Wols des années terribles », in Nathalie Ponsard and Jean-Pierre Caron (ed.), La France en guerre : cinq « années terribles » 1792-1793 / 1814-1815 / 1870-1871 / 1914-1915 / 1939-1940, Rennes, PUR. https://books.openedition.org/pur/170448

The book unites French scholars of different disciplines, now accessible in Open Edition. My contribution was noticed by a reviewer as one of the most interesting in the volume (https://journals.openedition.org/rh19/6781)

2016, “From eternal knight to modern hero. The aviator as the New Man of the avant-garde at the outbreak of the Great War”, 1914: Guerre et Avant-gardes, Presses universitaires de Paris Ouest, edited by Marine Branland

https://books.openedition.org/pupo/15645

The conference and publication were organized on the occasion of the centennial of the Great War, scholars from different parts of the world took part in it.

2012, “The Saatchi Collection Between Art Loving and Self-interested Investment”, Modernity of Collection, Torun, Contemporary Art Centre/University of Copernic

The conference and the publication accompanied the opening of the Museum of Contemporary Art in Torun (Poland).

2011, “Le Futurisme entre propagande et revendication libertaire”, Art & Propagande : jeux inter-dits/Gevaarlijk spel tussen kunst en propaganda, published as special issue of Témoigner/Getuigen : revue pluridisciplinaire de la Fondation Auschwitz, n°111, edited by Luba Jurgenson et Philippe Mesnard https://www.auschwitz.be/images/_bulletin_trimestriel/111_slavkova.pdf

A transdisciplinary international conference was organized by the Auschwitz Foundation, and published as a special issue of its journal.

2010, “Dalí entre 1925-1929. Le désir n’est pas humaniste”, Dalí. Sur les traces d’Eros, edited by Geneva, Editons Notari, edited by Frédérique Joseph-Lowery and Isabelle Roussel-Gillet

The Cerisy conferences are a landmark for the humanities. The conference united specialists of Dali on international scale.

2009, “La Révolution surréaliste, un travail collectif pour défaire le sujet”, La Fabrique surréaliste, actes du séminaire du Centre de Recherches sur le Surréalisme/University of Paris III, edited by Maryse Vassevière, http://melusine-surrealisme.fr/henribehar/wp/wp-content/uploads/2014/10/5.-Fabrique_BAT.pdf

The online publication of the seminar of the Centre de recherches sur le Surréalisme.

2004, “Circus Wols, un projet de Wols au camp des Milles”, Les Ecrits d’artistes depuis 1940, Caen, Editions de l’IMEC, edited by Françoise Levaillant

In relation with the installation of the IMEC archives in the Abbaye d’Ardenne, near Caen, this large conference united established scholars and PhD students like me, as well as writers (Alain Robbe-Grillet was there). This is my first academic publication.

exhibition catalogues

2017, « Horreur et rédemption dans l’œuvre de guerre de Zinoview », Alexandre Zinoview. Un peintre russe sur le front français (1914-1918), edited by Cécile Pichon-Bonin et Alexandre Sumpf, Paris, Editions Gallimard ; exhibition at Péronne, Historial de la Grande Guerre, May 18—December 10 2017 https://www.librairie-gallimard.com/livre/9782072721687-alexandre-zinoviev-un-artiste-russe-sur-le-front-occidental-collectif/

The catalog accompanies the exhibit Alexandre Zinoview at the Historial de la Grande Guerre at Péronne, a leading institution in the study of the Great War. It is the first major publication on this artist (https://www.jstor.org/stable/26541518) and a beautiful illustrated volume by the iconic Parisian publisher Gallimard.

2008, Work comments for five artworks in Le Futurisme et Paris, edited by Didier Ottinger, Paris/Milan, Editions du Centre Pompidou/5 Continents, translated into English and Italian; exhibition at the MNAM/Centre Pompidou, October 15, 2008—January 29, 2009

This large exhibition shown in the Musée National d’Art Moderne in Paris traveled to Italy (Scuderie del Quirinale in Rome) and in Great Britain (Tate Modern), the catalog (including my comments) were translated into Italian and English.

textbooks

2011, French Literature Textbook, High school Junior Year, Paris, Editions Nathan:

Hard copy textbook

Digital textbook with interactive resources (animations, and interactive visual analysis)

Teacher’s book (suggested answers and additional development on the images)

Nathan is one of the largest publishers for textbooks and school materials in France. The textbook is cross-disciplinary and was very successful (72366 items sold the first two years). I conceived the 16 double pages in the section Histoire des arts, the related digital resources and the teacher’s book. I was invited to participate due to my teaching in the Master program “Professeurs des écoles” at the university of Nanterre.

reviews

2022, « A Different Causality and a Different Reality : Analysis of the Absurd in French Dada and Pre-surrealist Theatre », Theatralia, vol. 25, issue 1. Review of Mariana Kunesova Orawczak's book L'Absurde dans le théâtre Dada et présurréaliste français, Brno: Filozofická fakulta, Masarykova univerzita, 2016

https://digilib.phil.muni.cz/handle/11222.digilib/145144

2019, « Utopie et réalité de la fin de l’art. L’art russe de la révolution d’Octobre à la mort de Staline au Grand Palais », Mémoires en jeu/Memories in stake, n° 9, Summer : Fall 2019 (exhibition) https://www.memoires-en-jeu.com/actu/rouge-art-et-utopie-au-pays-des-soviets/

2009, Catherine Wermester, Grosz, l’homme le plus triste d’Europe, Paris, Allia, 2008, 72p, notice 117, Critique d’art n° 33

2009, Chants exploratoires/Minotaure/La revue d’Albert Skira, 1933-1939, Genève, Cabinet des Estampes du musée, 2008, 111p, notice 246, Critique d’art n° 33

2009, Laurence Bertrand Dorléac, Maurice Fréchuret, Fernand Léger, Les Constructeurs, Paris, réunions des Musées nationaux, 2008, 55p, notice 197, Critique d’art n° 33

2009, Nicolas Beaupré and al., L’Autre Allemagne : rêver la paix (1914-1924), Milan, 5 Continents/Péronne, Historial de la Grande Guerre, 2008, 112p, notice 242, Critique d’art n° 33

General Art Magazines

2021, “Camille Bryen, the Forgotten Glory of Saint-Germain-des-Prés”, La Gazette Drouot, October 2021, https://www.gazette-drouot.com/article/camille-bryen-the-forgotten-glory-of-saint-germain-des-pres/28430

2021, “Supports/Surfaces: Painting above All”, La Gazette Drouot, May 2021, https://www.gazette-drouot.com/en/article/supports%252Fsurfaces%253A-painting-above-all/24675

2021, “Wols between Myth and Reality”, La Gazette Drouot, February 2021, https://www.gazette-drouot.com/en/article/wols-between-myth-and-reality/21611

Art, War, Politics, Humanism, New Man, avant-garde, modernism

Department(s):

Art History and Fine Arts

Eligible Thesis Advisor:

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Anna Russakoff

Consulting Advency — Sat, 28 Dec 2024 07:30:01 +0000

NetID:

arussakoff

First Name:

Anna

Last Name:

Russakoff

Personal Website:

https://aup.academia.edu/AnnaRussakoff

Office:

C-504

Office Hours:

Tuesdays and Fridays 10:00–10:30 or by appointment

Associate Professor, Department Chair Art History and Fine Arts

College Art Association
International Center of Medieval Art
Medieval Academy of America
International Medieval Society, Paris
Historians of Netherlandish Art
Hagiography Society

Professor Russakoff is a specialist in Gothic illuminated manuscripts. She has co-edited a volume on the fourteenth-century artist Jean Pucelle, and recently completed a monograph about miraculous images of the Virgin Mary in French illuminated manuscripts. She has also co-edited a volume about humans and animals in medieval France. Her current research project is about illustrations of cross-cultural animal fables. Russakoff has wide-ranging teaching interests, and enjoys broad surveys of art history in addition to more specialized classes. She is particularly enthusiastic about including the monuments and museums of Paris, France and Europe to enhance the classroom experience.

Kalamazoo, International Congress on Medieval Studies, May 2019; invited to participate in roundtable session sponsored by the International Medieval Society, Paris, entitled, “Introduction to Libraries and Archival Work: Conducting research in Paris and France”
Lausanne, Switzerland, December 2018: Invited to participate in a doctoral seminar entitled, “Jeux de mains . . . la question de l’attribution dans les manuscrits.” Presented a paper entitled, “Les mains des artistes dans les deux premiers exemplaires du Miroir historial (BnF fr. 316 et Leiden University Library, Vossius Collection, ms. VGG F 3A)”
Poitiers, France, June 2018: presented a paper entitled “Formulas for Animals? Animal Iconography in a Fable and in Bestiaries” as part of the fourth conference in the series ‘La formule au Moyen Age’
Amiens, France, June 2018: presented a paper entitled “Miracles and Movement: Miraculous Images of the Virgin Mary in Medieval Illuminated Manuscripts” as part of a conference entitled ‘L’oeuvre en mouvement’
Kalamazoo, International Congress on Medieval Studies, May 2017: presented a paper entitled “Cross-Cultural Animal Fables: Comparative Iconography in Three Kalila wa Dimna Manuscripts.” Session sponsored by the Medieval Academy of America.
Paris France, October 2016: “The Mouse Transformed into a Girl: Cultural Boundary-Crossing in the Kalila wa Dimna” will present a paper as part of a seminar entitled “Travelling Texts and Translated Men: Postcolonialism and Migration across Disciplines.” American University of Paris.
Paris, France, July 2016: invited to speak at the British Archaeological Association Conference entitled “Paris: the Powers that Shaped the Medieval City” on Parisian illuminators. Paper entitled “Jean Pucelle, Mahiet and the Fauvel Master: Relationships Between Manuscript Illuminators in Fourteenth-Century Paris”
Amiens, France, March 2016: conference entitled “Mondes animaliers au Moyen Age et à la Renaissance;” delivered a paper entitled “Kalila wa Dimna: les fables, les animaux et leurs images à travers les cultures”
St. Louis University, Manuscripta conference at the Vatican Film Library, October 2015; delivered a paper entitled: “Painted and Sculpted Images of Mary in ‘Miracles of the Virgin’ Illustrations”
Lisbon, Portugal, “Medieval Manuscripts in Motion” conference, March 2015; presented a paper entitled “Mobile Fables: Cross-Cultural Animals and their Representations in the Kalila wa Dimna”
Kalamazoo, International Congress on Medieval Studies, May 2014; presented a paper entitled, “Kalila and Dimna (Paris, BnF lat. 8504): Visual Lessons from Cross-Cultural Animals.” Session sponsored by the International Center of Medieval Art.

PhD, Institute of Fine Arts, New York University
MA, Institute of Fine Arts, New York University
BA, Brown University

“Some Reflections from Ground Zero,” 513–515 in “Forum: Meditations after the fire: Scholars on Notre Dame,” with Coll Thrush, Matthew S. Champion, Kacie Morgan, Una McIlvenna, and Constant J. Mews, in: postmedieval: a journal of medieval cultural studies 10/4 (2019), 513–526, special issue on “Music, Emotion,” guest-edited by Helen Dell, Andrew Lynch, and Elizabeth Randell Upton. https://doi.org/10.1057/s41280-019-00149-5.
https://link.springer.com/article/10.1057/s41280-019-00149-5
Monograph: Imagining the Miraculous: Miraculous Images of the Virgin Mary in French Illuminated Manuscripts, ca. 1250-ca. 1450. Toronto: Pontifical Institute of Mediaeval Studies, 2019. http://www.pims.ca/publications/new-and-recent-titles/publication/imagining-the-miraculous-miraculous-images-of-the-virgin-mary-in-french-illuminated-manuscripts-ca-1250-ca-1450
“The Jew, the Merchant and a Miraculous Image: Comparative Iconography in Gautier de Coinci's Miracles de Nostre Dame manuscripts,” in Jewish Identity and Comparative Studies/Judéité et Comparatism: Etudies offertes à Astrid Starck-Adler par ses collègues et amis à l’occasion de son soixante-quinzième anniversaire, edited by Roy Rosenstein and Danielle Buschinger. Amiens: Presses du Centre d’Etudes Médiévales de Picardie, 2019, pp. 387-397
Mobile Fables: Some Preliminary Notes on Cross-Cultural Animals and their Representations in the Kalila wa Dimna,” in Medieval Manuscripts in Motion: La Circulación de manuscritos iluminados en la Península Ibérica. Edited by Alicia Miguélez and Fernando Villaseñor Sebastian. Madrid: CSIC, 2018, pp. 255-265
“Kalila wa Dimna: les fables, les animaux et leurs images à travers les cultures,” in Mondes animaliers au Moyen Age et à la Renaissance: Actes du Colloque international des 8, 9, 10 et 11 mars 2016 à la Maison de la Culture d’Amiens. Edited by Danielle Buschinger et al. Amiens: Presses du Centre d’Etudes Médiévales de Picardie, 2016, pp. 378-387.
“Portraiture, Politics and Piety: the Royal Patronage of Gautier de Coinci’s Miracles de Nostre Dame (Paris, BnF NAF 24541).” Studies in Iconography, vol. 37 (2016): 146-180.
Human and Animal in Medieval France, 12-15th century, Co-editor with Irène Fabry-Tehranchi, Rodopi, Faux Titre Series, 2014.
Collaborative Illumination: Jean Pucelle and the Visual Program of Gautier de Coinci’s Les Miracles de Nostre Dame (Paris, BnF, n.acq.fr. 24541),” in Jean Pucelle: Innovation and Collaboration in Manuscript Painting, volume edited by myself and Kyunghee Pyun. Brepols/Harvey Miller; November 2013.
“The Virgin Hodegetria: an Iconic Formula for Miracle Illustrations in the West?” in La formule au Moyen-Âge. Edited by Elise Louviot, forthcoming from Brepols (estimated date of publication: May 2013).
“Miracles de la Vierge et handicap au XIIIe siècle,” in Handicaps et sociétés dans l’histoire : l’estropie, l’aveugle et le paralytique de l’Antiquité aux temps modernes. Edited by Franck Collard and Évelyne Samama. Paris : L’Harmattan, 2010, pp. 129-144.
Book review of Gautier de Coinci: Miracles, Music, and Manuscripts, ed. Kathy M. Krause and Alison Stones. Medieval Texts and Cultures of Northern Europe (Turnhout: Brepols, 2006), in Studies in Iconography 30 (2009), pp. 250-253.
Book review of Marina Vidas, The Psalter of Christina of Norway in the Collection of the Royal Library in Copenhagen (Copenhagen: Museum Tuscalanum Press, 2006), published by CAA.reviews on 26 July 2007.
Book review of Christopher de Hamel, The Rothschilds and their Collections of Illuminated Manuscripts (London: The British Library, 2005) and the French edition published by the Bibliothèque nationale de France in 2004, in The Book Collector 55, 4 (Winter 2006), pp. 616-619.
“The Role of the Image in an Illustrated Manuscript of Les Miracles de Notre-Dame by Gautier de Coinci: Besançon, Bibliothèque municipale 551,” in Manuscripta 47/48 (2003/2004), pp. 135-144.

Illuminated manuscripts
Image-text relationships
Miraculous images
Animals in medieval art

Department(s):

Art History and Fine Arts

Eligible Thesis Advisor:

Display 91��Ƶ E-mail on profile page:

Faculty Type:

Faculty Member

Deceased?:

The American University of Paris - Art History and Fine Arts

Tatsiana Zhurauliova

Ines Winckler

Kathleen Wilson-Chevalier

Françoise Weinmann

George Wanklyn

Herve Vanel

Stéphane Treilhou

Danai Thomaidis

Iveta Slavkova

Conference organisation

Academic papers and invited talks

BOOKS

edited/translated/co-authored

peer-reviewed articles

Other academic articles and book chapters

Conference Proceedings

exhibition catalogues

textbooks

reviews

General Art Magazines

Anna Russakoff